Business Law And Ethics Attorney Guidance - 5895 Words

Business Law and Ethics Attorney Guidance to an Entrepreneur Constitutional Rights: The first amendment was made for protection of speech and commercial speech. There are many entrepreneurs that are selling information and parts of the constitution will protect those businesses as they have liberty to economic freedom as well (Bonham, 2013). It is the right of those businesses or entrepreneurs and not the governments right to choose what occupation to pursue (Bonham, 2013). Some successful entrepreneurs are those that publish books, software, newsletters and websites (Three steps you must take to Ensure CFPB Compliance). BackOffice has entrepreneurs that are developing a software app and a service for that app. The†¦show more content†¦There are new regulations and periodic audits that can be of concern, however, there are ways to be proactive as well. If the vendors are breaking rules, even if performing well, than the company is still liable for those actions as well (Three steps you must take to Ensure CFPB Compliance). It is also unethical or non compliant to break the rules (Three steps you must take to Ensure CFPB Compliance). Having an audit process in place with documentation and expectations from the vendors, focusing on long term performance while learning about CFPB compliance measures will help to understand the CFPB. Though all companies have freedom of speech and right to economic liberty as stated in the constitutional rights, BackOffice has every right to sell a software app and an app service to perform certain functions such as receiving payments for sales and services. Since 2010 when CFPB was created with the help of the Dodd– Frank Act, it is known that a consumer financial product or service is a financial product or service offered or provided for use by consumers primarily for personal, family, or household purposes (Three steps you must take to Ensure CFPB Compliance). BackOffice will need to understand what items should be done to be proactive and compliant so it does not pay excessive fines and penalties. CFPB has every right to create regulations to protecting the consumer. Organizations,Show MoreRelatedFlying Glass Case Study Case1717 Words   |  7 Pagesexploded, without warning. Amy is suing the grocery store and the soda manufacturer for damages and medical expenses for treatment of cuts caused by the exploding bottle. Amy s attorney, Martin Leonard, hired a chemical engineer, Dr. Dan Collins, P.E., to testify at the court trial. During cross-examination, the opposing attorney asked Dan, Wouldn t a simultaneous explosion have left some broken glass and soda pop residue on the bottom shelf? Although Dan believes that a spontaneous explosion wouldRead MoreCode of Business: Ethics and Conduct7244 Words   |  29 PagesCODE OF BUSINESS ETHICS AND CONDUCT Everything  we  do  Ã‚   should  be  with  the  Ã‚   highest  integrity.  Ã‚   No  ethical  shortcuts  Ã‚   of  any  kind.  Ã‚   Integrity  and  honesty  Ã‚   are  simply  Ã‚   not  optional.   2        Ã‚     Ã‚   NOTE  TO  EMPLOYEES:  In  this  Code,  Ã¢â‚¬Å"Company†Ã‚  means  Burger  King  Corporation  and  its  subsidiaries  and   affiliates.  This  Code  is  not  an  employment  contract  and  compliance  with  this  Code  does  not  guarantee   continued  employment  with  the  Company.  Any  modification  to  current  terms  and  conditions  of  your  Read MoreThe Sarbanes Oxley Act Of 20021563 Words   |  7 Pages2002 (SOX) was enacted to bring back public trust in markets. Building trust requires ethics within organizations. Through codes of ethics, organizations conduct themselves in a manner that promotes public trust. Through defining a code of ethics, organizations can follow, the market becomes fair for investors to have confidence in the integrity of the disclosures and financial reports given to them. The code of ethics includes the promotion of honest and ethical c onduct. This code requires disclosureRead MoreThe Job of a Lawyer1405 Words   |  6 Pagesâ€Å"Lawyers, also called attorneys, act as both advocates and advisors. As advocators they represent one of the parties in criminal or civil trials by presenting evidence and arguing in support of the client. As advisors, lawyers counsel their clients about their legal right and obligations and suggest course of the action in business and personal matters (Lawyer 3 ). By playing two roles they have to take on two different personalities, one as the stern heartless enforcer of the law and fighting for whatsRead MoreThe Ethical Decision Making Model Essay813 Words   |  4 Pagesstandards in our justice system are extremely useful because our beliefs and values regarding right and wrong, are structured by reasonable ethical standards and have helped establish our criminal justice system.   According to (Pollock, 2010), â€Å" as Law becomes society value so does ethical standard because every person is a value to society, and society has a right to protect this value, and even against his or her will†Ã‚   Avoidance of ethical dilemmas in forensic psychology is a goal of cliniciansRead MoreThe Sarbanes Oxley Act Of 20021614 Words   |  7 Pageswas enacted to bring back public trust in markets. Building trust requires ethics within organizations. Through codes of ethics, organizations are put in line to conduct themselves in a manner that promotes public trust. Through defining a code of ethics, organizations can follow, market becomes fair for investors to have confidence in the integrity of the disclosures and financial reports given to them. The code of ethics include â€Å"the promotion of honest and ethical conduct, requiring disclosureRead MoreAn Imposition Of Values By Mary Ann1093 Words   |  5 PagesTwo ethical violations of professional misconduct presented in the case study Two ethical violations of professional misconduct presented in the case study is the welfare of the client and avoid harming the client. According to the ACA Code of Ethic, Standard A.1.a., states that the primary responsibility of counselors is to respect the dignity and to promote the welfare of clients. Marcus pushed Mary Ann too hard by consulting on issues that involved religious beliefs before introducing interventionsRead MoreRole Of The Irs Moving Forward1142 Words   |  5 Pagesongoing debate on the role of the IRS moving forward. As new information is surfacing, the conversation is continuously changing. In October of 2015, after over two years of investigation Lerner and the IRS were not found to be guilty. Assistant Attorney General Peter Kadzik noted, â€Å"Our investigation uncovered substantial evidence of mismanagement, poor judgment and institutional inertia, leading to the belief by many tax-exempt applicants that the IRS targeted them based on their political v iewpointsRead MoreThe Board Of Directors And Finance, Facilities, And Policy Committees1239 Words   |  5 Pagesstate or federal law. The following items do not constitute an exhaustive list of legal requirements related to eligibility. Other state and federal laws may determine eligibility. The PA Constitution bars from elective office anyone convicted of an â€Å"infamous† crime, which the courts have interpreted to include various misdemeanors based on the nature of the crime and all felonies. Section 324 of the PA School Code prohibits school directors from being employed by or doing business with, the districtRead MoreMy Time At The Law Firm2532 Words   |  11 PagesMy time at the law firm was full of ups and downs a lot like any other job may offer. Throughout the internship as the semester was ending I began to see a difference in the way I was treated by the workers and I began to notice a difference in the attitudes of my co-workers. Maybe it was just because the end of the year was coming and stress from outside the work area was entering the office. Anyhow the drama created by the stress levels of the co-workers personal and work life created many flaws

The Metamorphosis A Transformation That Relates to Real...

The Metamorphosis: A transformation that relates to real life health issues. In the story, The Metamorphosis, Gregors transformation into a vermin can be connected to overall health in today’s society because Gregors â€Å"disorder† altered his â€Å"Complete state of physical, mental, and social well-being† (Kaiser Permanente). Based on the definition of health, Gregor’s state and the experiences he went through in the story, would be more similar to someone who was in overall, poor health. Gregors transformation could have been caused by his strenuous career as a traveling salesman’s (Wyllie). â€Å"Fifteen years of service Gregor had never once yet been ill† (qtd. in Wyllie). Overworking can have a negative effect on your body and lead to poor†¦show more content†¦Being on the go all the time made Gregors social life nonexistent. He may have met people every day, but he never had enough time to get to know them and make friends (Wyllie). Gregor was socially deprived to a certain degree. Not establishing social relationships with others caused him to be lonely which eventually lead to him having feelings of depression. Gregor lead an unhealthy lifestyle that caused his body to shut down from all the lack of care and transform into a vermin. Transforming into a vermin is obviously not possible in real life, but Gregors unhealthy lifestyle which lead to his transformation can be related to real life. His symptoms are similar to those who have real-life illnesses. For example, his symptoms can be comparable to what mild to severe stroke patients endure. Stroke patient’s level of health is unhealthy mentally, physically, and socially. Mentally because their emotions can be hard to control as a result of the chemical change in the brain or reaction to the challenges they feel trying to deal with the effects of the stroke (AHA). They can experience rapid mood changes for no obvious reason from crying to immediately laughing (AHA). They have feelings of anger, hopeleness, and depression. These types of feelings are felt by someone who is not in a healthy state of mind. After a stroke a patient can become physically unhealthy because they can become weak, paralyzed, and have problems withShow MoreRelatedThe Trial And Th e Metamorphosis2538 Words   |  11 Pagesand The Metamorphosis are the two foremost works Franz Kafka has ever written. By doing this, Franz makes the similarities and differences very obvious, yet each text is complex in their own way. In The Trial and The Metamorphosis, Kafka uses unique aspects to compare the characters in each novel. Each character is being forced by anonymous forces. They both go through loneliness to find the meaning behind their suffering. Each similarity and difference in The Trial and The Metamorphosis, come alongRead MoreJonathan Swifts Gullivers Travels Essay4237 Words   |  17 PagesMadame Bovoary In the writings of the Jonathan Swift we can clearly see issues and concepts with regard to morality, ethics and relations come into play in our society and in Gullivers Travels, Swift brings those issues to the for front for everyone to see and analyze. The very concepts and beliefs that man holds dear Swift attacks and strongly justifies his literary aggression thought the construct of the society of the Houyhnahnms who truly leads a just and humane society that we as humansRead MoreA Case Study of Performance Appraisal26386 Words   |  106 Pagestolerated my regular withdrawals from normal family life throughout my MBA studies. And to the talented and approachable lecturers and staff on the Chester MBA programme. 2 Abstract The research project sets out to identify the gaps between expectations and experiences of performance appraisal in a small public sector organisation. The document explains how Passenger Focus, the rail watchdog, has undergone a successful corporate transformation from the previous federal network of regional committeesRead MoreA Case Study of Performance Appraisal26392 Words   |  106 Pagestolerated my regular withdrawals from normal family life throughout my MBA studies. And to the talented and approachable lecturers and staff on the Chester MBA programme. 2 Abstract The research project sets out to identify the gaps between expectations and experiences of performance appraisal in a small public sector organisation. The document explains how Passenger Focus, the rail watchdog, has undergone a successful corporate transformation from the previous federal network of regional committeesRead MoreOverview of Hrm93778 Words   |  376 Pagesmanagement. HRM department regardless of the organization’s size must perform following human resource management functions†¦ †¢ Staffing (HR planning, recruitment and selection) †¢ Human resource development †¢ Compensation and benefits †¢ Safety and health †¢ Employee and labor relations †¢ Records maintaining, etc. †¢ HR research (providing a HR information base, designing and implementing employee communication system). †¢ Interrelationship of HR functions. A. What is human resource management? 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It deepens their understanding of issues with which they are confronted in practice, by putting them into a larger context. This book really helps students and managers to become wiser. Professor Renà © TissenRead MoreEssay on The Odyssey21353 Words   |  86 Pagesreaches Phaecia. She guides him to the city and advises him to approach her mother Arete if he wishes to get help to return home. Alcinous - the king of Phaecia. He is a hospitable host to Odysseus, who stays with him for a few days. Odysseus relates the stories of his adventures to Alcinous, who helps him return home. Arete - the wife of Alcinous. She is a well-respected woman at Phaecia. When Odysseus reaches the Phaecian capitals palace, he clasps her knees and asks for help to getRead MoreStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 PagesGlobalization 16 †¢ Managing Workforce Diversity 18 †¢ Improving Customer Service 18 †¢ Improving People Skills 19 †¢ Stimulating Innovation and Change 20 †¢ Coping with â€Å"Temporariness† 20 †¢ Working in Networked Organizations 20 †¢ Helping Employees Balance Work–Life Conflicts 21 †¢ Creating a Positive Work Environment 22 †¢ Improving Ethical Behavior 22 Coming Attractions: Developing an OB Model 23 An Overview 23 †¢ Inputs 24 †¢ Processes 25 †¢ Outcomes 25 Summary and Implications for Managers 30 S A L Self-AssessmentRead MoreMerger and Acquisition: Current Issues115629 Words   |  463 PagesMergers and Acquisitions Current Issues Edited by Greg N. Gregoriou and Karyn L. Neuhauser MERGERS AND ACQUISITIONS Also edited by Greg N. 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History of Hong Kong Art Village Free Essays

(Eng. Summary) andrew lam (The section â€Å"History of Oil Street Architecture† was published in Hong Kong Economic Journal 2000-03-27) The First Stage – â€Å"The Oil Street† Period During the 17 months from August 1998 to the end of 1999, the Government Property Agency rented an abandoned governmental building at Oil Street, North Point to architects, designers, photographers, individual artists and art groups at a rental rate as low as HK$ 2. 5 / square ft. We will write a custom essay sample on History of Hong Kong Art Village or any similar topic only for you Order Now It gradually served as the nurturing ground for art education, creative industries and various kinds of exhibitions and performances. 3 large-scale art and culture festivals have taken place in the Art Village. More than 100 exhibitions and performances, which attracted more than 30,000 audiences, have been held throughout the year. The nature of activities were diverse to include theatre work, dance, folk art, ink painting, calligraphy, installation, photography, sculpture, painting, multi-media, video art, digital art, architecture, fashion design, performance art and music concert. The Oil Street Art Village was a cultivated space, which fostered local economies, creative industries and international art and cultural exchange activities. It attracted creative and enthusiastic individuals to involve and to arouse the interest of local and overseas press. The total area of the Oil Street building was 125,000 square ft. The gross floor area was estimated to be 160,000 square ft. 33 art groups and workshops, and more than 100 artists were stationed in the Art Village; while more than 721 artists and 3,000 art group members involved in various activities (it is approximately 30% of HK art field). More than 60,000 square ft. area served as performing space, rehearsal room, working area, and storage. The abandoned property was positively activated. In that short period of time, the art and culture industry built up a good partnership with the SAR government: the Art Village was recognized and supported by HKADC. In 98-99, the Planning Department pointed out that Oil Street Art Village was a successful model for land use transferral. All of the above prove that HK citizens urgently need the full support of the government to assist running a non-governmental and independent art village. It serves as a window and an opportunity for local art and cultural workers to showcase the power of creative culture. This is the gateway to develop Hong Kong into the brand new â€Å"art and cultural centre† in Asia, and to raise the image of HK in the global level. In 2000, the SAR government planned to sell the land through auction. Various units in the Art Village moved out and the land has been abandoned until today. Not only was the Oil Street Art Village destroyed, but the SAR government also lost nearly HK$ 10,000,000 of rental income since 2000. The Second Stage – â€Å"Cheung Sha Wan Warehouse† Old Kai Tak Aiport Period The ex-slaughterhouse in Cheung Sha Wan and the ex-Kai Tak Airport Office Tower was temporarily let to Oil Street Art Village by the Government Property Agency. However, the space provided was not suitable for artistic activities. Many workshops and art groups such as 1aspace, Videotage, On and On Theatre, Zuni Icosahedron/Z+ etc. retreated or their activities suspended. Such a â€Å"hybernated† situation lasted for at least 1 and a half years. During the period, some art studio was transferred to Old Kai Tat Airport venue and the studio of Tsui Pui Wan had organized an installation, which attracted wide public participation. The Third Stage – To Kwa Wan â€Å"Cattle Depot Artist Village† (CDAV) Period In July 2001, the Government Property Agency rented a renovated government property, the ex-quarantine station for animals (63 Ma Tau Kok Road, To Kwa Wan) to individual art groups and artists. Most of the architecture in the station is heritage. Some are over 100 years old. Units and Cultural activities in CDAV The total area of CDAV is 7,394. 93 square metres. It has 19 stationed art groups: Zuni Icosehedron, Ngau Pang Shue Sue Yuen, Artist Commune 63 Museum, Videotage, 1aspace, Frog King Museum, (szOf)-Tsui Pui Wan, Wee Design, Photo China. CC, Cut_N_try Workshop, Billy Suzies, Tim Tsz Workshop, Possive Null Workshop, Kum Chi Keung Workshop, Steve Cheung-Work Zone, 2/3 Studio, N4 and so forth. Main publications in these two years include: â€Å"E+E† by Ngau Pang Sue Yuen,†¦. and many exhibition catalogues. Significant exhibitions held included â€Å"Tree. Man†: Danny Yung Solo Exhibition Tree Man in 2003, CADV held large-scale art festival, such as Cattle Depot Summer Days Nights Arts Festival 2003. The studio zero O fish organized Summer Workshop 02, etc. The Book Festival was co-organized by Zuni Ngau Pang Sue Yuen and 1aspace with participation of 22 cultural organizations. It attracted more than 20,000 local citizens and book lovers. The Artist Commune has also organized many societal and cultural exchange programs. In the future, the CDAV will develop as a non-profit making charity (NGO). We are also planning to make the best use of spaces in the village as a platform for experimenting civil art education and creative cultural industries, and as a channel to consolidate different social sectors and governmental departments. The CDAV will be the new fountainhead of Hong Kong culture, and it will foreshadow and set an example to evaluate the idea of the operation of the proposed West Kowloon Cultural District. City globalization and synchronization bring about the building of skyscrapers, highways, airports, etc†¦ Organizing international biennial, triennial, exposition and other great cultural events become inevitable in internationalization. The CDAV has long been a localized phenomenon, we pose the questions of globalization versus regionalism. In reality, there are 4 alternative spaces and 15 independent studios in the CDAV. For the past 2 years, they actively organized a great many of individual programs. They also organized joint events like community workshops and territory-wide art festivals. This proposal will present open studio project to create A CONCEPTUAL ‘COMPUTER HUB’ WHICH RE-UNIFIES THE WHOLE CDAV AGAIN. [1] The Experiment The Hong Kong CDAV is not a conventional museum for cultural display. It is an alternative space: a 7,394 sq meters art village with visual art and theatre group, big companies and individual studios living in symbiosis. In reality there are dreams and conflicts, expectations and competitions. Urgency and stability are side by side. In meeting this global event, the proposed CDAV project will not be a fabrication of un-real situation. In preparing for the exhibition, no pre-fabricated unit or exhibition system will be re-assembled in another site for exhibition. The studios of the CDAV is like ‘A MICROSCOPE’. It helps the international audience TO UNCOVER A WORLD OF ADVENTURE, EXPERIMENTATION, DISCOVERY AND WONDERS in the CDAV. There is NO GLASS OR INSTRUMENT USED TO MAGNIFY OR DISTORT FACT AND REALITY. Every object has to be viewed in actual size! Like the Berlin Biennale 2004, The CDAV studios portray reality and the CDAV artists provide such a visual excursion with a LIFE MANUAL. They themselves are the best exhibition documents and interpreters. BEYOND THE FRAME WE PROVIDE A NEW SPACE WHICH EXTENDS THE CONVENTIONAL PHYSICAL CONCEPTUAL BOUNDARY OF AN EXHIBITION WITHIN THE ALREADY-EXISTING AND DEFINED AREA OF STUDIOS IN THE CDAV. The artists working in the CDAV studios take the opportunity to develop creative dialogue and exchange with the international curators and artists. The CDTV project will be in an interesting dialogue by using site-specific studio works showing artistic development from initial stage to final production, from conceptual building to theory formulation, from pre-exhibition studio discourse to post-exhibition debate. (  ¦ ) 2000-03-27 2004-06 (1999? ) (2003-2006) (1999) 1999? 11? 9? , , , 006 2 007 3 007 4 015 5 016 6 021 : 023 025 046 : †¦ , , , , (3? ) (1? ) (6? ); (2? ) (1? ) 1? , , , , , ; , , ; , , , , , , 2 , , , , : , , , , , , , , , ; , , , , , 1990? , ( ), , , , , , , , , , [2] , , , , , , , 2. 75 15 , 12? 5 , 31? , 6 Kwok and Cho Z+? Workzone Raymond Lau? Wong Chi Fei? Lily Workshop? Qwert Parallax Workshop? Xtreme Creative? Michael Chan Architects? James Wong Andrew Lam? Vivian Lam? Ashley Hempsall? Tom Tong? May + Ling? Rensis Ho? Bone Wong Tim? Billy and Suzie? Edge? 1a Ringo Tang? 31 721? , 3? , 100 , 30,000 , , , [3] , , , , , , , : 1. , ( : )? 2. 2a , , , ,? 2b , : , , , , , ( ) , , ( , 2,000? , ) : , , 180 , (? ) (? ) (? ) (? ) (? ) (? (? ) , , , , , , ; , , , , , ; , , , , , , , , , , , 1A , Z+ , , , , , , , , , (C? D? ), , , , , , (Machine Aesthetic) , , , , , ,? 1998? 8 16 2. 75? 1 , 16 , 12? 5 , 30? , 6 , , , , 2000 , , : , 12? 15 , , , , 1998 , , , , , 98 , , , 1893 12 , [4] , , Victoria Regata Club , , , , [5], (E. M. Hazeland) [6], 1908? 3? 21 (Sir Frederick Lugard) ; , , , (Club House), , , , , , ; , , , , , , , , ; , 19 (Arts Crafts Movement) [7]; , (1905? ) (1913? ) (1915? ) , , , , [8]1965? , – 1992? 10? , 1999? 11 , , , 1939 1964 1939 , 1950 941 , , , : i) 1969 (DYN1XB1B), , 1969? ; ii) 1945-64? 1:2,400 (HKR. S. No. 846(320)-D S No. 1, Plan 1), A ,B ? C , , A 1964 1969 ; iii) 1950 :, , ( ), (B? ) , 50 ; iv) 50,000 , 1945? 50? , , 1950 v) 1939 , , , (Kellet Island) , , , 39 50 ,? 10 , ; vi) 1939? 103 , : 1939? 4? 26 , 16 , , 1939? ; vii) , C Z+ 1939 , , ; , , , , , , , , , Messrs Kin Lee Co. , , (C? D? , , , , , (Machine Aesthetic)? , , , , , , ; , , ; , ; , , , ; , , , , ; , , ; , , , , , , , , 98 , , , , , , , , ,! , , ; , , , , , , , 100 , 20,000, , , , , , , ; , , , , , , , , , , , , , , : 1) 2) 98 80% , 97 5%? 3) 15% , , ; , , / / 97 2% 6% , 18% 23%, 15% 18% , [9] , , , , , , , ; , (Marginal Utility) : , , , , , , , , , : , , , , , , , , , , , , , , / , , , , / , , , , , , , , , , , , , , , , , , , , , – , :1) ( );2) ( ;3) ( )4) ( ) , ( , , , , , , , , ( ) , – 1. , 2. , , , 3. , , , , 4. , , , 5. , , , 6. , , / , , / , , 1. ( ) 2. ( ) 3. ( ) , , 4. ( ) 5. / / / ( ) / / , 6. / ( ) / / 7. / ( , ) , 8. ( ) , 9. ( ) 10. E M? , ( ) ? 11. ( ) 12. ( ) ? 13. , ( ) ? 14. ( ) 15. ( ) ? 16. ( ) ? 17. ( ) 18. ( ) 19. ( ) ? 20. ( ) , , , , : 1. 2. , 3. , , 4. , ;? ii , , , , , : 1. , 2. , 2a , , , : ,? 2b , 1) : , , , , , , ?P. S. 1. , ; [10] , , , / , , , , , 1. : 1a , ;? 1b , , , , , , , ,! :1) , , ; , , ;2) , , , , , , , , , ;3) , ;4) , , ;5) , , , 2. : , (? ) / : , / , , , : 7A ( ) Dr. Morhard, Juergen, Consul of German Consulate (Hong Kong)? Dr. Sacker, director of Goethe-Institute(Hong Kong)? Oscar Ho, exhibition director of HK Arts Centre? Renee Chan, art and design programme designer, HKU-Space? Ben Sumner, senior lecturer of APA? Chartered Society of Designers? Caroloine Cheng, director of The Pottery Workshop? Lam Yuen Mei? Gary Mak Sing Hei, associate director of Broadway Cinematheque? Cheng Wai Lau, manager of Theatre Ensemble? Irene Ngan, Program Manager of Goethe-Institut? Ip Yuk Yiu, Lecturer of City University? Linda Lai, assistant professor of SCM, City University? Nancy Tong, assistant professor of City University? Cheung Kai Sun, art director of Zebra Consultant? Simon Queeans, publisher of BC Magazine? Leung Chi Fan, vice-president of Hong Kong Society For Education In Art? Hung Chin Lu, director of Studio 22 Ltd.? Leong Ka Tai, director of Camera 22 Ltd.? Golden Cheetah Company? Wong Leung Sek Rupert, chairman of Hue Art Association? Shum Ka Chun, art dirctor of ICON? Wong Chack Kie, Associate Professor of the Chinese University of Hong Kong? Li Chak Man, project manager of Yew Chung Education Foundation? Siu King Chung, assistant professor of HK Polytechnic University? Tang Shu Wing, artistic director of No Man Land Limited? Tsang Wai Yi Catherine Lau Lui Wai Kei Lam Wai Kit? Lau Chung Hang? Kelvin Tsang? Louisanna Chan? Steve Choi? William Thomas Dixon? Pegsi K C Wong? Betty Hung? Yik Fei? Natashia Ting Clorie Ng? Fanny Lam? Lau Mei Yee? May Fung? Yanpi Kwan Pui Yan? Wong Shun Kit? Hilary Binks John Thompson Chan Chui Hing, Nose? Mo-yung Yuk Lin Helen Leung Jenny Lam Chi Ling? Lichtenstein, Frederic? Vivian Chan Sau Han? Lee Kit Wai John Yip? Chan Tze Ming Liu Yuen Hung Jacqueline? Sandra L. Walters? Winton non Marsalis? Clarence Tsui Borezee? Blaise Lam Kam Ying? Wong Fung Ming? Tam Shiu Wah Hillman? Norris Ng? Lesley Chan Yan Yan,? Woo Vivian Cheng? Wai Kwan? Alice Chu? Cherie, Cheng Shui Che? Chan Wai Fun Dovas? Lau Wing Yin, Nataue? Kum Chi Keung? Tina Chan? Charles Lam? Maria Leung? Wei Peh Ti? Wong Hao An Alanie? Wong Gi Wai, Gigi? Winnie Lau? Paul Kember? Julita Lui Y. E.? Juliana Wong? Peter K. Ho? Jan Chu? Pamela Hoy So Ching? Quentin Fong Bryan Lay? Liu Ying Kei Carol? Robert Orien? Freddie Chan? Rachel Lee? Fornia Chan Siu Yim? Beryl Yau? Mimi Tung? Frank Yeung? Kearen Pang Yuri? Ng Lilian Chan : The Australian Network For Art and Technology? Artspace Visual Arts Centre, Sydney? Chinese Art News Magazine? Marina Grzinic, Fund For Video Art? Griffith Artworks, Griffith University, Australia? Videobrasil Festival, Brazil? Mike Stubbs, director of Hull Time Based Art, UK? Mike Leggett, Australia? Chang Young-Hae, Seoul? Wolf Kahlen, Germany? Evangelo Costadimas? Uwe Buchler, Werleitz? Gesellschaft, Germany? Steve Hawley, UK? Trevor Batten, Amsterdam? Veronica Needa? core member of Yellow Earth Theatre(London),†¦ : ( ) 1. 1. 1. , , , , , , , , , , , 2. 118? , 27 , ,? 27? , 10 ; (9? ) (8? ) (? 7? ), (6? ) (? 5? ) (4? ) 3 , 2 27 , 10? , 4? , , , , , (3? ) (1? ) (6? ); (2? ) (1? ) 1? , , , 2002 1 , [11] 3. , : ,†¦ , , [12] , , :?†¦Ã¢â‚¬ ¦ ( ) , – [13] 4. , , , , , , , ,†¦ 5. , : ; , ; , , , , , [14] 2. 1. 2. 1. 1 : (Alliance of Artists’ Communities AAC) (Artists Communities: A Directory of Residencies in the United States Offering Time and Space for Creativity) , 70 2. : , , , , 50% , , , , 4%? , : . (American Academy in Rome)[15] . (The Corporation of Yaddo)[16] . (The MacDowell Colony, Inc. )[17] 70 80 , 80 ; , , ( ) , , , , , , , , , , , , , , 3. : , (Artist’s House) , , , (Kunsterhaus)[18]? [19], : A: 20 B: 10-19? C: 4-9? D: 1-3? , 70 , 4-9 C ,? 40% A B D , 20%? , , , : , , , , , A? , , C 4. : , 20 A , , 2? , B , 14? B , , 2 , 4-9 C , , , C , , , D , 14? , , , C , : , , , , , , , , , , 5. : , , [20] | | | | | | | | | | | | | | | | | | | | | | | | | | | | |A |12 |86% |0 |0 |1 |7% |0 |0 |1 |7% |0 |0 | |B |10 |72% |2 |14% |1 |7% |0 |0 |1 |7% |0 |0 | |C |18 |64% |2 |7% |3 |11% |2 |7% |1 |4% |2 |7% | |D |8 |58% |2 |14% |0 |0 |2 |14% |2 |14% |0 |0 | | |48 |69% |6 |9% |5 |7% |4 |5% |5 |7% |2 |7% | |? (1): , (69%) (9%) (7%) (7%) (5%) , 7% , (? A? D :86%? 72%? 4%? 58%) , , , , , , 2. 1. 6 : , ,? 72% 24%, , 4% , P. S. 1 I. S. P , , , , , , , , P. S. 1 , , :†¦Ã¢â‚¬ ¦ , , , : , , , , [21] , , , , , , , (Conservatoire du Littorale), , , , , , , [22] , , , ; , , , , , , 7. : 1. : , , , , , : 2. 2. (i) 1) : , , ; , , 80%? (2) : , , ,†¦Ã¢â‚¬ ¦? , 80% , , , , , , 2. 2. (ii) (1) : 93% – , , ? (2) : , , , , : , , 71%? (3) : , , 39%? 2. 2. (iii) (1) : 29%? 2) : 26%? (3) : 23%? (4) : – , , , 4%? , , , 2. 3 A : 2. 3. 1 , A , , , , 3%? , , , , , ; , 2. : 70 , , : i) : , ii) : , , iii) : , , 97% 2? , Art Farm? Bemis Center for Contemporary Arts, , 3% , South Florida Art Center, 4 , ,? 9%? , , , , How to cite History of Hong Kong Art Village, Essay examples